Reflection and contrast
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Contrast-enhancement filters
The two luminances used in determining contrast in an actual workplace
are:
l. The reflected room light from the screen.
2. That reflected room light plus the light generated by the
phosphor.
Generally, the reflected room light would be too large a value
if a clear (transparent) glass screen were used on the CRT. The darkest gray
achievable would simply be too light a gray for good contrast. The reason a
movie theater is darkened is that the "black" level of the movie
image can only be as black as the reflected room light allows. Since a workplace
cannot be darkened if paper documents and a CRT image are to be used, the screen
is made of glass that is tinted. It is characterized by its transmittance,
T.
In the case where the screen is opaque, T = 0. In the case where
the screen is completely transparent, T = 1. When the value of T is explicitly
stated, the two luminances become:
l. Tē x the reflected room light from the screen.
2. Tē x the reflected room light from the screen + T x the light
from the phosphor.
In a first example, namely in the clear glass case, where T
= 1, and where the light from the phosphor is assumed to be 200 cd/mē, and
where the room light reflected from the screen is 75 cd/mē, the result is:
(75 + 200) cm/mē.
In a second example, where everything is the same except that
the glass transmissivity (T) = 0.5, the new value for light reflected from
the screen is 0.25 x 75 cd/mē = 18.75 cd/mē. The new value for the second luminance
(i.e., where the phosphor light is assumed to be 200 cd/mē) thus becomes:
18.75 + 0.5 x 200 = 118.75 cd/mē
The filter, in that second case, improves the contrast ratio
from about 3.6:1 to about 6.3:1. In most office illumination environments,
this built-in property is sufficient. The user should exercise good judgment,
placing the VDT perpendicular to windows, avoiding specular reflections by
adjusting the tilt of the screen and using task lighting on paper documents
if necessary.
Some display terminals use additional filters or contrast improving
techniques over the filter already in the screen. They may use additional neutral
density filters or selective filters that reduce some wavelengths more than
others, or use some wavelength mechanical baffling device to absorb the ambient
light.
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